Rebecca’s Paper People
Angel
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The big day of the benefit 24 Hour Comic event to raise money for S. Clay Wilson’s medical expenses is less than two weeks away. Last November, the legendary underground comics artist suffered a severe brain injury in a fall. He spent a week in intensive care and faces a long recovery. Even with insurance, Wilson’s expenses are beyond his ability to pay and have made him and his family paupers. For those of you who may not have heard of it, the premise of the 24 Hour Comic challenge is that an artist attempts to complete 24 pages of comics within 24 hours. I am soliciting pledges from friends and comics fans for each page I complete. Assuming I draw at least 24 pages, the pledges I have so far amount to over a thousand dollars, and I know my fellow cartoonists Kevin Cross, Joshua Kemble, Mike Getsiv, Tony Morgan, Josh Fitz and Ben Sarnoff have been soliciting contributions as well. It’s not too late for you to contact me with a pledge.
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I’ve been meaning to get Anapest strips up more often, but life intervened, not to mention paying jobs. Anyway, the long wait is over and there’s a new strip for your enjoyment on my comics page. For this one I’ve strung together lines from disparate songs which just happen to form rhyming couplets in an anapestic cadence (sorry if the type is a little tiny; here’s the text: So listen up Buster and listen up good/Oh Lord, please don’t let me be misunderstood/ If one of those bottles should happen to fall/ Don’t stand in the doorway, don’t block up the hall/She once swept an admiral clear off his feet/And the rhythm of life is a powerful beat!) I have been wasting more of my precious time on this earth than I care to admit lately running lines from songs in my head to see if they fit that Dr. Seuss meter (da da DUM da da DUM da da DUM). Some songs, like Lucy In The Sky With Diamonds and The Lady Is A Tramp, have nearly all their lines in anapest; others have just one or two. Here’s a collection of random lyrics that all just happen to rhyme: … » more
There are a few images seen early in life that I can call formative; an early Crumb panel glimpsed in an issue of Newsweek, a dark painting of a brutish bartender answering an old-fashioned wall telephone, framed and mounted for unknown reasons on my grandmother’s kitchen wall, which frightened me for years until I examined it closely and found it to be a cartoon by Jack Davis- and a drawing in dizzying curvilinear perspective of a group of bizarre buglike creatures climbing up and down unsupported staircases and curling themselves into wheels to roll down long corridors, which I saw in some Time/Life science book when I was about ten years old. It was only years later that I learned the name of the artist, M.C. Escher, when I saw the drawing again in a collection of his work. I made many attempts to draw pictures in the style of that image, but I could never manage to get the perspective right. … » more